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Middle-earth (New Line Cinema series)

From Tolkien Gateway
Information
DirectorPeter Jackson, Kenji Kamiyama
MusicHoward Shore, Stephen Gallagher
StudioNew Line Cinema
WingNut Films
LanguageEnglish

Middle-earth[1][2], also referred to as The Lord of the Rings after its most popular entry[note 1], is a series of film adaptations produced by New Line Cinema, as well as associated tie-ins. The series originally began with Peter Jackson's The Lord of the Rings, later on being expanded with The Hobbit. An animated film directed by Kenji Kamiyama, The War of the Rohirrim, was explicitly marketed as belonging to the same series.[3] Another film, The Hunt for Gollum, is still in production.[4]

The films present a consistent audiovisual interpretation of Tolkien's works, including substantial overlap in cast.[5][6] and crew: for example, both main trilogies were scored by Howard Shore, with collaborator Stephen Gallagher continuing in his style for War of the Rohirrim.[7] Artists Alan Lee and John Howe were concept artists for all movies.[8]

Background

Some previous adaptations of Middle-earth encompassed multiple entries: Rankin-Bass produced two related television specials, one based on The Hobbit and one based on The Return of the King. While Ralph Bakshi was unable to produce part two of his adaptation of The Lord of the Rings, producer Saul Zaentz was able to license the movie's visuals to any number of tie-in products for years to come. Two of its cast members also reprised their roles in the otherwise-unrelated 1981 radio serial. Bakshi's film and Sibley's radio serial, along with the original novel, were known to the adolescent Peter Jackson. Years later, while discussing an earlier "Tolkien-esque" fantasy script for Blubberhead, Jackson decided to pivot to adapting The Hobbit and The Lord of the Rings. This proposition, originally a trilogy pitched to Miramax circa 1995, would eventually become an eight film series — all the intellectual property of New Line Cinema with whom Jackson would produce the films — and a plethora of tie-in projects.

The Lord of the Rings film trilogy

Due to the complicated rights situation involving The Hobbit, Jackson ended up proceeding in February 1997 with The Lord of the Rings. During development, the project oscillated between as little as a single two-hour film and as many as three films, before moving to New Line Cinema where it was greenlit as a trilogy, which was released annually beginning in December 2001. The extended edition of the third and final film was released in 2004. The commercial and critical success of those films paved the way for future entries.

The Hobbit film trilogy

The rights to The Hobbit were split between Saul Zaentz (who had previously leased the Lord of the Rings rights to New Line) and Metro Goldwyn Mayer. This rights dispute and other disputes like it delayed development on The Hobbit, initially to 2008 with Jackson picking Guillermo del Toro to direct, then to 2011 with del Toro departing due to the delay and Jackson, being the film's producer, taking over. Again the project oscillated between two films, the second of which would primarily be a bridge to The Lord of the Rings, to as many as three films dedicated to The Hobbit proper. This latter option was only decided upon in the concluding phase of the shoot, resulting in three films released starting in November 2012. The final extended edition was released in November 2015, exactly twenty years after Jackson first considered the idea. Though not matching the critical acclaim of The Lord of the Rings, The Hobbit was a substantial commercial success, leaving the door open to future films.

The War of the Rohirrim

In 2019, Jackson had been working with New Line Cinema on returning to Middle-earth via the medium of animation. The project failed to materialize before Jackson and co-writer Philippa Boyens pivoted to the story of Helm Hammerhand. To retain the lease on the rights from Zaentz' estate, the film was fast-tracked for release in 2024.

Although animated in Japan under director Kenji Kamiyama, the connection to the preceding films is made overt through retaining the look of the various Rohan locales, as well as bringing back characters and their actors in voiceover roles: Jackson was attached as executive producer, while co-writer Philippa Boyens co-wrote the story and produced the entire film. It was the first commercially unsuccessful entry in the series, but since it was done on a low budget, didn't hinder the filmmakers' interest in exploring more material for the series.

The Hunt for Gollum

Jackson's original idea to adapt events set between The Hobbit and The Lord of the Rings as part of their adaptation of The Hobbit, was to return in the guise of The Hunt for Gollum. The film is set to start filming in May 2026, ahead of release in December 2027. As with The War of the Rohirrim, this is not directed by Jackson but by Andy Serkis who, besides being a member of Jackson's cast, had also directed second-unit on the preceding films under Jackson's baton. Several cast and crew members are already attached to return for the project.

Future films

The Hunt for Gollum was greenlit with the intention of spearheading a slate of new films based on Tolkien's works as interpreted by Jackson. Indeed, Jackson is himself contracted for a second film whose subject matter — Young Aragorn, the War in the North and other topics have all been proposed — remains undisclosed. After that, co-writer Philippa Boyens had spoken of the potential for more standalone stories, including the potential for another "epic trilogy." This latter comment probably refers to the Angmar war.

Licensed products

Individual films and trilogies have been adapted into video games, tabletop games, and other products. Some long-running licensed products explicitly refer to the series as a whole, such as the Middle-earth Strategy Battle Game.

Some games adapted book characters well before the films got to them. Games Workshop depicted Sauron as the Necromancer before the release of The Hobbit films.[9] Likewise, the The Lord of the Rings Trading Card Game depicted Radagast before he featured in the same films.[10] Both depictions are different from their later film appearance. The game series Shadow of Mordor and Shadow of War, while being licensed from would, ended up contradicting the later film War of the Rohirrim through the creative liberties the game series took with Helm Hammerhand.[11]

Connections to other forms of Tolkien-related media

Besides direct tie-ins, the sheer expanse of Jackson's and New Line's interpretation of The Lord of the Rings is such that it takes little imagination to relate to most other Tolkien-related projects: members of Jackson's cast have narrated Tolkien audiobooks, video-games unrelated to the film series (e.g. Return to Moria) and even hosted documentaries about the author (Graham McTavish having narrated "Inside Tolkien's Lord of the Rings"). Jackson had relied on the services of people who had previously worked on academic research into Lord of the Rings (Tom Shippey, David Salo and Jannet Brennan-Croft), book illustrations (John Howe and Alan Lee) and other adaptations (Brian Sibley, having adapted the book to radio), and these all resumed their Tolkienian occupations after or between productions. Other members of his crew worked on anything from the Tolkien biopic, parodies like Darrylgorn and Throbbit, and especially the first season of Rings of Power.

Some of these projects attempted to relate themselves to the films after the manner of a so-called "spiritual prequel." This is especially true of Rings of Power, particularly the first season. New Line Cinema is a "minority licensee" on the show, and had an accord of sorts with Amazon Prime Video during production on Season One. During that season, Weta had designed a Narsil and Aeglos very similar to their film design, while WetaFX had designed Durin's Bane along very similar line to the one seen in Jackson's film. Elsewhere, the dissimilarities are however substantial enough that the project cannot be rigorously considered part of Jackson's oeuvre.

Cast and crew overlap

Number Role The Lord of the Rings The Hobbit The War of the Rohirrim The Hunt for Gollum Other projects
1a Director Peter Jackson Peter Jackson Kenji Kamiyama Andy Serkis (cf. 1b)
1b Second Unit John Mahaffie, Geoff Murphy, Andy Serkis Andy Serkis N/A
2 Writers Jackson, Fran Walsh, Philippa Boyens and Stephen Sinclair Jackson, Walsh, Boyens and Guillermo del Toro Boyens, Jeffrey Addiss, Will Matthews, Phoebe Gittins, Arty Papageorgiou Jackson, Walsh, Boyens, Gittins and Papageorgiou
3a Producers Jackson, Walsh, Barrie Osborne Jackson, Walsh, Zane Weiner Boyens Jackson, Walsh, Boyens, Zane Weiner
3b Executive producers Robert Shaye, Michael Lynne, Mark Ordesky Ken Kamins, Carolyn Blackwood, Toby Emmerich Kamins, Walsh, Jackson, Blackwood and Emmerich Kamins, Serkis
4 Cinematography Andrew Lesnie Andrew Lesnie N/A Robert Richardson
5a Production designer Grant Major Dan Hennah (cf. 5b) N/A Hennah Hennah also supervised additional work in and around Hobbiton
5b Art director Dan Hennah, Simon Bright Simon Bright N/A
5c Set decorator Dan Hennah Ra Vincent N/A Ra Vincent worked on "Beyond the Door" in Hobbiton
5d Concept illustrators Alan Lee and John Howe Lee and Howe Lee and Howe Lee and Howe Howe also worked on Rings of Power
6 Editor Jaime Selkirk, Jabez Olssen Olssen
7a Casting directors Liz Mullane and John Hubbard Mullane and Hubbard Mullane Mullane Mullane also helped cast Rings of Power
7b Cast (main roles) Elijah Wood, Sean Astin, Viggo Mortensen, Ian McKellen Richard Armitage, Martin Freeman, Ian McKellen Gaia Wise, Brian Cox, Miranda Otto Andy Serkis
7c Cast (supporting roles) Miranda Otto, Christopher Lee, Andy Serkis, Orlando Bloom Ken Stott, Orlando Bloom, Serkis, Wood, Lee Lee (archival) Wood
8 Weapons and Creatures Weta Workshop Weta Weta Weta Also Rings of Power, Shadow of Mordor, Tales of the Shire
9 Wardrobe Richard Taylor and Ngila Dickson Taylor, Ann Maskrey, Bob Buck N/A Taylor and Buck
10 Hair and Makeup Peter King and Peter Owen Peter King N/A
11 Choreography George Marshall Ruge Glen Boswell N/A
12a Visual effects supervisor Jim Rygiel, Joseph Letteri Letteri Matt Aitken
12b Animation Supervisor William Randall Cook David Clayton
13a Composer Howard Shore Howard Shore Stephen Gallager (cf. 13b) Shore also composed the Rings of Power titles
13b Source music composers David Long, Billy Boyd, Walsh Long, Boyd, Stephen Gallagher Long Long also composed for Rings of Power
14a On-set sound Chris Hiles Hiles, Tony Johnson N/A Johnson also on Rings of Power
14b Sound design David Farmer and David Whitehead Farmer and Whitehead Farmer
14c Sound mixing Michael Semanick, Michael Hedges, Christopher Boyes Semanick, Hedges and Boyes Hedges

Notes

References